Three designers. One family.
Every space we touch becomes a story worth living in.
We are Wael, May, and Mohamed Khaled. A husband, a wife, and their son — three designers who grew up around the same dinner table and now bring that same intimacy to every project they take on. Between us, we carry over three decades of experience across television sets, gallery floors, private residences, and everything in between. We are based in Lebanon and work wherever the work calls us.
Wael holds a Master's in Interior Architecture from Lebanese University and spent twelve years as interior designer at Aljadeed TV, building entire worlds from a blank floor plan. He has directed sets for drama series broadcast across the Arab world, art directed video clips for George Wassouf and Ali El Deek, and won first prize at the Iskandariya Film Festival for a short film. He teaches art and sees every room as a scene waiting to be composed.
May holds the same Master's in Interior Architecture from Lebanese University, and has spent over two decades at an upscale Beirut gallery since 1998, helping people see their homes differently — not just what goes where, but how a fabric feels in afternoon light, how a piece of furniture anchors a room, how texture and tone work together to create a space that is unmistakably yours. Her residential portfolio spans private villas in Jordan and across Beirut. She is the reason a room feels right before you can explain why.
Fresh from a BA in Interior Design at the American University of Science and Technology, Mohamed brings the fluency of his generation — 3D visualization, technical precision, and a feel for what contemporary clients want. He has already worked alongside his father on television productions and trained at the same gallery alongside his mother. He is the bridge between what the family knows and where design is going.
Thirty years of practice didn't happen in a vacuum. Every room we walk into carries the memory of every room that came before it — and knowing that history is what separates a decorator from a designer.
Monumental symmetry, hieroglyphic ornament, and gold leaf on dark wood. Spaces built to outlast their inhabitants — permanence as the highest design value.
The column, the arch, the mosaic floor. Proportion as philosophy. Every room built around the human body as its measure.
Gold mosaic ceilings, ribbed vaults, candlelit stone. Sacred geometry transformed into architecture. The room as devotion.
The rediscovery of classical proportion. Frescoed walls, coffered ceilings, perspective as decoration. Beauty and reason in the same room.
Drama, excess, and gilded curves. Rooms designed to overwhelm and impress — light bounced off mirrors, ceilings painted like skies.
Nature as architecture. Sinuous lines, floral motifs, iron worked like vines. The first time a building tried to feel alive.
Geometric glamour. Lacquered surfaces, chevron inlays, the marriage of luxury and modernity. Every room a statement of arrival.
Form follows function. No ornament for its own sake. The birth of the idea that great design belongs to everyone, not just the wealthy.
Clean lines, organic shapes, and materials that felt new — plywood, fibreglass, molded plastic. Optimism built into furniture.
Rules broken deliberately. Irony, color, and historical references collide. The room as commentary on the rooms that came before.
Everything at once — minimalism, maximalism, sustainability, technology, and the personal. The only rule is intention. This is where we work.
Styles aren't labels — they are starting points. Tell us which one pulls you, and we'll shape it into something that is entirely, unmistakably yours.
Nothing extra. Every object earns its place. Calm, deliberate, and quietly confident.
Layered textiles, global finds, warm color, and a room that feels like a life well-travelled.
Light, wood, and function. Warmth without clutter, simplicity without coldness.
Exposed concrete, raw steel, reclaimed wood. Beauty in the unfinished, honesty in the material.
Terracotta, mosaic, arched doorways, and afternoon light. The room as a place to breathe slowly.
More is more. Pattern on pattern, color on color, story on story. Rooms that reward attention.
Japanese wabi-sabi meets Scandinavian restraint. Natural materials, muted tones, imperfect beauty.
Curated contradiction. Vintage next to modern, East next to West. The room as a portrait of its owner.
Geometric glamour brought forward. Gold, lacquer, velvet, and bold symmetry for the contemporary home.
Living walls, natural light, organic forms. The belief that a home should feel like it grew from the earth.
Intentional abundance. Every surface a collection, every shelf a conversation. The opposite of empty, in the best way.
Deep tones, dramatic light, rich materials. Rooms that feel like night — moody, refined, unforgettable.
Apartments, villas, private homes. We work with how you live — not just how a space looks — to create interiors that feel genuinely yours.
Offices, showrooms, retail, hospitality. We understand that a commercial space is a statement — and we make sure it says the right thing.
Television, film, video production. Wael brings two decades of professional set design to productions that demand environments as compelling as their stories.
Selecting the right piece for the right space. We source, advise, and curate — from statement furniture to the fabrics that make a room breathe.
Layout, flow, function. Before anything is bought or built, we map out how a space should work — and how it should feel to move through it.
See it before it exists. Mohamed's technical drawings and photorealistic renders let you make decisions with confidence, not guesswork.






What the Romans invented as a way to use leftover marble chips has become one of the most expressive surfaces in contemporary interiors. The appeal is in its imperfection — no two slabs are alike. When we specify terrazzo today, we're not chasing a trend. We're choosing a material that has outlasted every trend that ever tried to replace it.
— MWM
Whether you have a clear vision or just a feeling — we listen first, then design. Reach out and tell us what you're thinking.
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